This text is believed to be a khila (appendix or supplement) to the Mahabharata 3 and is traditionally ascribed to Veda Vyasa. The text is also known as the Harivamsha Purana. He was given Anuvada Shri Award for 2007 – 2008 by the Bharatiya Anuvada Parishad, New Delhi. The Harivamsha (also Harivamsa Sanskrit: Harivaa, the lineage of Hari ()) is an important work of Sanskrit literature, containing 16, 374 shloka, mostly in Anustubh metre. He was also awarded a Fellowship for his monograph on the Temples of Himachal Pradesh 1987-89 by the Indian Council of Histrocal Resarch, New Delhi. He was given an award by the Government of Himachal Pradesh in 1983, for his monograph on the antiquarian remains of that state. Many Gaudiya-vaisnava acaryas have quoted evidence from Harivamsa in their writings. It comprises the first thirty-three chapters of the first section called Srstikhanda or the Section on Creation of the Purana which is very huge in size.
#Harivamsa purana in english series
The Shvetashvatara Upanishad is a Principal Upanishad of Hinduism, commented by many of its ancient and it is a foundational text of the philosophy of Shaivism, as well as the Yoga and Vedanta schools of Hinduism. This is the first part of the Padma Purana in English translation and the thirty-ninth volume in the series on Ancient Indian Tradition and Mythology. ranging from the earliest times to the late medieval period. The text is also known as the Harivamsa Purana. He has to his credit the scientific documentation of over fifty thousand antiquities like, sculptures, bronzes, paintings, pottery and beads etc. The Adi Parva, chapter 2 of the Mahabharata testified about the authorship of Harivamsa which rests with the sage Vyasa, as followsĪ Graduate of Punjab University has served the Archaeological Survey of India, and the Ministry of Home Affairs for over four decades, in Curatorial and other capacities. Though traces of some future events are found at the start of the Bhavisya Parva, the matters like the creation of the world, the incarnation, of Visnu Vamana and Narsimha are also mentioned besides Siva and Visnu constitute the main theme of the Parva. In fact Visnu Parva deals with the childhood sports of Si Kesna.
The three Parvas deal with subjects of the creations of the world, the king of the solar and lunar dynasties, the Yadu race besides the birth of Lord Krsna and his childhood sports. Harivamsa Visnu Parva and Bhavisya Parva. The main object for the composing of Harivamsa has been apparently to sing the praise of Lord Visnu which is divided into three Parvas viz. With this end in view he composed the Harivamsa which is believe to be an appendix to the great epic of Mahabharata. Inspite of his composing his epic of Mahabharata comprising of a lac of verses, it is believe that he still felt, dissatisfied and intended to create further literature. The great Saga Vyasa – the writer of the epic of Mahabharata and the Puranas was an eminent writer of his times, the parallel of whom is difficult to be found in the religious history of India.
It has three sections, each section being designated as a parva.
#Harivamsa purana in english full
The full text of the Harivamsha Purana in English is available here and publically accesible (free to read online). Source: Contents of this online book ( + / - ) Other titles include: Harivaṃśa (हरिवंश) or Harivansa. This edition is a prose English translation although it preservers the verse-numbers. The Harivamsha of Veda Vyasa contains roughly 16,000 Sanskrit metrical verses (shlokas) and consists of three sections (Harivamsa-parva, Vishnu-parva and Bhavishya-parva). Although officially not mentioned as one of the Puranas, it is an epic story resembling such works including topics on creation, geology, time, ancient history and accounts of royal dynasties. Summary: The English translation of the Harivamsa Purana which is an appendix (khila or parva) of the Mahabharata and narrates the lineage and life-story of Krishna (Hari), which starts with the account of the great clans named Vrishni and Andhaka.
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